Karisma Kapoor's grand-slam of the return to form (and shape) in Vikram Bhatt's startling mixture of myth and mystery in "Dangerous Ishq" proves that there's life after 30 for Bollywood divas. You simply need to get a life.
Bhatt, so far consumed for making relatively small films about paranormal experiences, pulls out all stops in "Dangerous Ishq" to create Karisma's comeback a near-spectacular cinematic event.
The movie told through many eras of tumult, mythology as well as history engages our attention on many levels. It takes its interestingly-etched protagonist through several lives looking for her missing soulmate. This commodiousepic time-frame stretching from 2012 to the 16th century gives Karisma an opportunity to slip into several costume changes.
Luckily for her and for that audience, "Dangerous Ishq" is not only about engaging in the right clothes. Amin Hajee's script makes resonant existential statements without obtaining the plot tangled in ideas and concepts. Beyond a place it ceases to matter whether the audience thinks in after-life or reincarnation.
Bhatt's splendidly executed mythological-thriller just enables you to thankful for the gift of mythology, philosophy and cinematic technique which makes a film so daring in concept come in existence in flaming colours of pain anger defiance as well as redemption.
Indeed, this is a film that takes us much beyond the accepted boundaries of entertainment to forge a brand new genre of cinematic experience where the "pauranic katha" of Savitri retrieving her husband in the clutches of Yama, the God of death, is come to an unexplored level of cinema.
In "Raaz", ten years ago Bhatt had explored the same theme. Right here, he takes the theme to the arena from the unknown.
From the opening scenes where Sanjana (Karisma) turns back from a traffic snarl in route to Mumbai airport to board a flight for any year of a posh a modelling assignment within Paris, to be with her beau (Rajniesh Duggal), you know with regards to love this lady means business.
Bhatt gets considerable support from his technicians in creating a rugged reverberant artefact that carries the love story through centuries of strife, blood shed and concern. The drama is created with a keen attention for heightened emotions. And yet ironically, Karisma pitches her performance in a subdued decibel. Even when her soul screams within protest at being separated from her eternal enthusiast through four life times, the actress exudes fortitude andrestrain.
Encouraged back, Karisma!
Karisma gets able support from a slew associated with capable actors playing her predatory male adversary in a variety of lifetimes. Rajineish partners her ably. Ravi Kissan and Aarya Babbar stand out among the villains who wish to separate them.
Divya Dutta as Karisma's friend once again proves that she can carry any type of situation to a believable level. However, Gracy Singh because Meerabai provides unintended laughter.
As for Jimmy Sheirgill, here is an actor who never lets a script lower. Here he has a role that reveals several dark shades of psychological trauma since it progresses from investigating a kidnapping to investing within afterlife. Jimmy is every bit in form.
However the film's real hero is Karisma. She is virtually in most frame. Cinematographer Pravin Bhatt captures Karisma's lucid face within dazzling shades suggesting an ageless fusion of day and night.
And then there are the 3D effects. Nothing you've seen prior in an Indian film have we seen the actual 3D technique been applied with such resounding effect. The flying rubble, boulders and the dust in the key motion scenes actually makes you flinch as they hurl from the screen at the speed of the film's superb sound.
"Dangerous Ishq" has the best 3D effects observed in an Indian film, on a par with what we should saw recently in "The Avengers", if not much better.
Miraculously the audience forgets the film is within 3D, as the gripping story takes over, moving us into several world, moods, emotions and interpretations associated with love commitment and determination.
Indeed "Dangerous Ishq" is a better achievement than a sum-total of its storytelling as well as technique. Bhatt creates an audacious heady mix of mythology and also the supernatural.
This film could be interpreted as an illustrated graphic novel using the 3D effects being optional. Leave it out, and also you are still left with a film that balances many lives within the same line of vision without making the crisis a slave to period or costumes.
Bhatt tells it having a deep-throated rush of passion. You may not have confidence in past lives. But this film sure makes you think punar-janam has a future in our cinema.
A to not be missed experience.
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